A rare opportunity…
Each year, some of the best choreographers, dancers, and studio owners get together for a weekend benefit that raises money in hopes of finding a cure for Cystic Fibrosis. The event – Dance to Breathe – is pretty unique, but I probably wouldn’t have known about it had I not been involved with my studio.
Last year when the event came around, I was excited to see what it was all about and see my fellow classmates perform in the final show. It was at that show that, not only did I learn much more about CF, I also realized how lucky I am to be a part of my studio – not to brag, but I’m learning from some of the BEST in this city (if not the country).
As part of this benefit, there is usually a celebrity choreographer that comes to town to teach a master class. Last year, I was scraping by all of my spare dollars and sending them to the IRS, so I couldn’t attend the master class. This year however, I’ve already paid my taxes, so I was anxiously awaiting the reveal of the guest choreographer.
It was none other than Nika Kljun – here’s her resume from her website:
She has worked on major projects such as Beyonce, Jennifer Lopez, Ne-yo, Pitbull, T-Pain, One Direction, Cher Lloyd, the Britney Spears tribute on MTV Video Music Awards, Jessica Sanchez, Donna Summer, Kaya Jones, Gina Katon, Matt Pokora, Herb Alpred, Macy’s Glamorama fashion tour, Monsters of hip hop, Billboard Music Awards, Young Hollywood Awards, NRJ music awards, X-Factor USA, UK & France, America’s Got Talent, The Voice, Move Live on Tour and was just recently, for the year of 2015, a part of Justin Bieber’s dancing team.
As a choreographer or assistant she worked on projects such as So You Think You Can Dance in the USA, Ukraine & Portugal, Move Live on Tour with Derek & Julianne Hough, Dancing with the Stars, Kellogg’s summer campaign, Kaya Jones, Lena Katina, Blake McGrath, Victoria Bech and Monsters of Hip Hop show to name a few. You can catch Nika at Tremaine Dance Conventions, Monster of Hip Hop or Monsters A-list conventions around North America.
…Like… are you kidding me? She’s an insanely talented dancer – and highly trained in traditional forms of dance, which makes her hip hop game solid. I’ll admit, though, that I was a little bit nervous to buy a ticket for her master class. I know that I’m late in my dance game.
I started taking jazz classes in middle school – and that is where my technical training ends. I danced on a competitive dance team for five years – being captain for two of those years. We were scrappy, and I recall very late nights at the studio, or in hallways, recounting and modifying movements to look sharp.
But I took a solid 10+ year break from dance. In that time, my body has changed, and parts of it have taken quite a beating between boxing training for four years, full-time retail and restaurant service work, and generally just getting older.
I know I struggle to pick up choreography quickly (although I am getting better), and I feel heavy on my feet. I have been to auditions and am learning to accept that even if I don’t make it (and I never have), it’s a free opportunity to learn from someone new, and at least try.
Sometimes, even if I can just get 1 8-count in a set of 7, I am really proud of myself, because the difficulty level is so far beyond me. Trying counts for something.
Many of my fellow dancers said they were taking Nika’s class, even if it meant standing in the back. Yeah, I thought, I’m going, too.
“You’ll walk away learning something,” one instructor told me. And he was right.
So, I bought my ticket. I woke up the day before the class with a classic flare-up of my pinched nerve. Because of course! But, I took my normal Saturday class, laid on a heating pad for three hours, popped a pain-killer, and headed downtown to meet Nika.
Right off the bat, I was pleasantly shocked at how nice she was – how much she simply wanted to help us learn and have fun. She taught us a combination from Jennifer Lopez’s tour, which was just cool to see.
I have never, ever tried any of the classic ballroom dancing, and she showed us the cha-cha, and salsa, and simply said, “Now you can watch ‘Dancing With the Stars’ and really know what they are doing!”
It was tough, and I struggled, and I stayed in the back. But, I gave it all I had and I pushed myself. Yes, a lot of people in the class were KILLING it. But many of them were also 16 – ah, to be young and thin and energetic!
Nonetheless, it was a humbling experience, and it makes me respect the hustle for choreographers and dancers. This is a physical industry – there’s no half-assing it if you’re on tour with Justin Bieber.
When the class was over, I was tired and sweaty, and snapped a picture with Nika, giving her a big thanks. I felt twice her size, but it’s whatever. I went home and had a solid night’s sleep – I suppose that’s what happens when you dance your ass off for almost three hours, pretending you’re JLo!
Posted on June 5, 2017, in The Squeeze and tagged Austin, blog, blogger, choreography, dance, dancer, experience, Holly A. Phillips, jlo, learning, life, nika kljun, opportunity, routine, texas, The Bitter Lemon. Bookmark the permalink. Leave a comment.