Last night, I put performances in my 5th showcase with Dance Austin Studio to bed. After our showcase in November, I said I was coming for you, Love Hangover, and that’s exactly what happened.
In the fall, my life took a turn when my dad was diagnosed with brain cancer. When I found out, we were in the thick of rehearsals and I remember just how difficult it was to retain choreography. But with lots of practice and support from fellow dancers, I did it.
This time around was similar. My dad passed away on February 3rd, and although it’s still very difficult for me to talk about publicly, I will say that my dance family has been incredibly supportive this month.
So many of my fellow dancers and instructors, and even the owner of the studio, reached out to me to offer their condolences and support. I got so many hugs before rehearsals, and even last night, dancers I don’t see often made sure I was okay to go on stage. I am so, so thankful for that.
Before my dad passed, I signed up to perform in two pieces at the showcase: broadway jazz and lyrical hip hop. The two pieces were some of the more difficult routines I’ve ever learned – continuing with my goal to keep pushing myself each time the opportunity arises.
I had to miss one rehearsal to attend my dad’s memorial, and even though I got total support and love from my choreographer/instructor, I returned ready to NAIL. THIS. I needed the distraction and I knew more than ever that it’s simply my time to live my life.
I’ve felt like my mind, heart, and all of myself had been taken over by my dad’s disease and all of the trappings that accompany a heartbroken family. Sure, I am grieving, and will continue to do so. But after six months of finding very little that brought me out of my funk, I was ready to just DO this, and do it with all I had.
So, I did. I spent hours reviewing videos from class, dancing in my kitchen, listening to the music in my car, getting help from other dancers, and scouring multiple Goodwills for the perfect costumes.
There were times I wondered if I’d made a giant mistake; if I’d picked pieces that were too difficult for me. But that’s the thing about growth – it’s not easy, sometimes it hurts, but you come out a better person because of it.
And you know what? I got to dance beside people that I’ve looked up to since showcase #1. I’m talking to you, Kim and Charlene. I will NEVER forget when I saw Kim perform a unique routine to a Backstreet Boys’ song – I immediately wondered, “Who is that girl?!” I wanted to know her, and I’m so glad I got to rehearse with her and perform on stage beside her.
Charlene is a beautiful dancer in class, on stage, wherever, and she has this amazing ability to put everything on stage no matter what she may be feeling on the inside. I know I am not alone when I say that my eyes are often drawn to her no matter how many people are performing.
There’s also Chase and Mendy – I saw you guys freaking ROCK the last lyrical hip hop performance, and I thought, “That’s it, I’m taking that class.” And I did – and then we were all in rehearsal together and I remain so inspired by both of you – you have a performance quality that is so amazing.
Naturally, what would our performance be without our choreographer and instructor, Caitlin? I’m so lucky to be able to take her classes and learn from her – technique, style, performance WOW – she’s got it all and she’s so approachable and funny to boot.
I have been thinking so much lately about dance, and how many times I’ve prepped for shows, performances, and competitions in my life. Over the last six months, various memories have bubbled to the surface and I remembered specific instances from being on my high school dance squad.
The summer before my junior year, we went to a UDA Dance Camp for the first time. It was at a state college, we got to stay in the dorms (so cool), and we were going to learn all sorts of new routines that we could perform during basketball season.
Little did we know that UDA Dance Camp was, like, a THING, and other squads were incredibly serious, technically great, and focused. All of the other teams showed up in matching workout gear for each day of camp, including hair bows and the like, and we… well we brought sleep boxers and loose t-shirts.
Our assistant coach, who accompanied us to camp, did not back down. She encouraged us to go, go do our best, we deserved the ribbons and routines just as much as anyone else. She recorded us in our various practices and when we went back to the dorms each night, she helped us drill the routines until we had them.
And we got first place ribbons – mismatched outfits and all. Because dance is universal – it doesn’t matter how much money you have, what you’re wearing, where you come from – it’s about a willingness to try.
That same year, our head coach unexpectedly passed away mid-season. To this day, I still can’t believe it happened, and I can’t really calculate how we got through it, other than to say that we had each other and we had dance. I still remember performing a dedication to her on that basketball court. It felt like our whole city was mourning with us.
At the end of last night’s show, Chi Chi – the owner of Dance Austin Studio – said she’d experienced loss in the last week, and it’s often in those times we realize how importance it is to just move the mental road block and live our lives, no matter what that means to you. Dance is healing.
That’s the truth! I’m so thankful I have a place to help me heal, a place to go when times are good, and when they’re bad. It wouldn’t be that way without the people there, and know that you all mean so much to me.
Each year, some of the best choreographers, dancers, and studio owners get together for a weekend benefit that raises money in hopes of finding a cure for Cystic Fibrosis. The event – Dance to Breathe – is pretty unique, but I probably wouldn’t have known about it had I not been involved with my studio.
Last year when the event came around, I was excited to see what it was all about and see my fellow classmates perform in the final show. It was at that show that, not only did I learn much more about CF, I also realized how lucky I am to be a part of my studio – not to brag, but I’m learning from some of the BEST in this city (if not the country).
As part of this benefit, there is usually a celebrity choreographer that comes to town to teach a master class. Last year, I was scraping by all of my spare dollars and sending them to the IRS, so I couldn’t attend the master class. This year however, I’ve already paid my taxes, so I was anxiously awaiting the reveal of the guest choreographer.
It was none other than Nika Kljun – here’s her resume from her website:
She has worked on major projects such as Beyonce, Jennifer Lopez, Ne-yo, Pitbull, T-Pain, One Direction, Cher Lloyd, the Britney Spears tribute on MTV Video Music Awards, Jessica Sanchez, Donna Summer, Kaya Jones, Gina Katon, Matt Pokora, Herb Alpred, Macy’s Glamorama fashion tour, Monsters of hip hop, Billboard Music Awards, Young Hollywood Awards, NRJ music awards, X-Factor USA, UK & France, America’s Got Talent, The Voice, Move Live on Tour and was just recently, for the year of 2015, a part of Justin Bieber’s dancing team.
As a choreographer or assistant she worked on projects such as So You Think You Can Dance in the USA, Ukraine & Portugal, Move Live on Tour with Derek & Julianne Hough, Dancing with the Stars, Kellogg’s summer campaign, Kaya Jones, Lena Katina, Blake McGrath, Victoria Bech and Monsters of Hip Hop show to name a few. You can catch Nika at Tremaine Dance Conventions, Monster of Hip Hop or Monsters A-list conventions around North America.
…Like… are you kidding me? She’s an insanely talented dancer – and highly trained in traditional forms of dance, which makes her hip hop game solid. I’ll admit, though, that I was a little bit nervous to buy a ticket for her master class. I know that I’m late in my dance game.
I started taking jazz classes in middle school – and that is where my technical training ends. I danced on a competitive dance team for five years – being captain for two of those years. We were scrappy, and I recall very late nights at the studio, or in hallways, recounting and modifying movements to look sharp.
But I took a solid 10+ year break from dance. In that time, my body has changed, and parts of it have taken quite a beating between boxing training for four years, full-time retail and restaurant service work, and generally just getting older.
I know I struggle to pick up choreography quickly (although I am getting better), and I feel heavy on my feet. I have been to auditions and am learning to accept that even if I don’t make it (and I never have), it’s a free opportunity to learn from someone new, and at least try.
Sometimes, even if I can just get 1 8-count in a set of 7, I am really proud of myself, because the difficulty level is so far beyond me. Trying counts for something.
Many of my fellow dancers said they were taking Nika’s class, even if it meant standing in the back. Yeah, I thought, I’m going, too.
“You’ll walk away learning something,” one instructor told me. And he was right.
So, I bought my ticket. I woke up the day before the class with a classic flare-up of my pinched nerve. Because of course! But, I took my normal Saturday class, laid on a heating pad for three hours, popped a pain-killer, and headed downtown to meet Nika.
Right off the bat, I was pleasantly shocked at how nice she was – how much she simply wanted to help us learn and have fun. She taught us a combination from Jennifer Lopez’s tour, which was just cool to see.
I have never, ever tried any of the classic ballroom dancing, and she showed us the cha-cha, and salsa, and simply said, “Now you can watch ‘Dancing With the Stars’ and really know what they are doing!”
It was tough, and I struggled, and I stayed in the back. But, I gave it all I had and I pushed myself. Yes, a lot of people in the class were KILLING it. But many of them were also 16 – ah, to be young and thin and energetic!
Nonetheless, it was a humbling experience, and it makes me respect the hustle for choreographers and dancers. This is a physical industry – there’s no half-assing it if you’re on tour with Justin Bieber.
When the class was over, I was tired and sweaty, and snapped a picture with Nika, giving her a big thanks. I felt twice her size, but it’s whatever. I went home and had a solid night’s sleep – I suppose that’s what happens when you dance your ass off for almost three hours, pretending you’re JLo!